The Royal Nonesuch

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<center><font face="Comic Sans MS" color="red">Walter Paisley with Mad Jon McKinney</font></center>
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This page is put up on myspace by John Marshall and Jeff Radle, drummers of the Nonesuch from different times, with a little help from guitarist Vic Davis and sixties light show producer King Clarentz, with technical computer assistance by coffee drinking "Quiet Joe" Snodgrass, attempting to include all those involved with the Nonesuch (not fan based), an accounting of the past and present history of the Nonesuch.
The Royal Nonesuch (first incarnation) formed December, 1982 in Tulsa Oklahoma, <span class="bandMember">Jon McKinney</span> (originally from LA., CA.) on guitar, <span class="bandMember">Spike</span> (when wearing leather or Nathan without leather, he had a split personality) on bass guitar and vocals, and on drums, <span class="bandMember">Jeff Radle</span> (who's cousin Carl Radle of Tulsa was a bassists for Clapton). This band covering the Yardbirds, Who, Small Faces (more of the mid 60's mod psychedelic genre), and Jon worked with Jeff (both avid 60's vinyl collectors), writing and arranging original material (the song "Something Strange" written in this period), which was recorded later with other members.
Mad Jon and Jeff were roommates in a band house together, playing all hours of the day or night, in a downtown neighborhood where many other bands had houses (including the band Black Flag). It was common for neighborhood musicians to show up and end up in the basement jamming for hours. A Friday night gathering at the house could easily last until Sunday evening.
This line-up of the band played several shows at a local Tulsa punk venue along with hosting and playing many parties during the spring of 1983 under the name "The Royal Nonesuch".<br>
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<center><font face="Comic Sans MS" color="red">Jon and Walt, photographed by former photo-journalist John Trotter, Trotter a hardcore mod and Missouri state bicycling champion, did work for many newspapers and publications including "Life" magazine</font></center>
Eventually the Tulsa band house breaking apart and Jon and Jeff moving to Springfield MO., and joining together with members of two retro 60's revival bands, The Sparrows ('79-'82, a pure 60's cover band that Jeff formed with his brother Walt) and the Limit ('78-'84). Sparrows' (heavier mid to late 60's psychedelic genre cover band) members <span class="bandMember">Walter Paisley</span> (bass) and a 60's vinyl collector, & <span class="bandMember">Bez</span> (guitar & vocals), joined with Limit's (more of a mod band) members <span class="bandMember">Chris Fiedler</span> (guitar & vocals) & <span class="bandMember">John Marshall,</span> (drums & Vocals) also a 60's vinyl collector, performing as the Limit, and John and Chris drafted former Sparrow drummer Jeff Radle (Paisley's brother) to continue to sit in as the regular percussionist on the tambourine and maracas to help complete the sixties sound. Jon McKinney, who was also publishing the fanzine "King Bee Quarterly" (only a few issues of the quarterly were published, issue 2 included a Bo Diddley interview, the band helping Mckinney), became the band's manager.
When the Sparrows broke-up (in 82) Walt and Bez joined the Limit (which was already playing at many local venues) when the Limit's original bassists Brian Keiser moved to N.Y. City to attend an art school (side-note; Brian was also in the band Johnny Quest with John Marshall, Vic Davis, and Kyle Donaldson, and while in N.Y. set in on bass on stage several times with the band R.E.M., after returning to Springfield he formed a band with Jeff and guitarist Mike Rayhill doing original material with R.E.M. and Jam covers). Walt and Bez refined the Limit's broader sounds into a sixties fuzz rock band after reforming the Limit with Chris and John. The Limit played a regular Monday night gig at Murphy's (1983).
After Chris left the Limit, John took over lead vocals and their were other guitarists rotating during this period (causing inconsistent gigging), Dink Smith and Randy Flood (both for a very short period, not sporting the fashion), Jim Holopter sporting the fashion filled in for a longer period (83-84), a keyboardist named John Stowers as well, they were not original members of the Limit or Sparrows, which are the two bands that evolved into the Nonesuch.<br>
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<center><font color="red" face="Comic Sans MS"> Bez, John, Walt and Mad Jon, early Royal Nonesuch photo 1984</font></center>
Later replacing Chris on guitar was band manager and the band's song-writer <span class="bandMember">Mad Jon McKinney</span>, changing the name of the Limit, officially becoming the Royal Nonesuch (with the recording of original material), and for several years this line up played around the Springfield area gaining a dedicated following. With Jon (and the help of several other members) managing the band booking regular weekly gigs, one every Wednesday night (84-85) at the local blues bar Lindburg's (Springfield's oldest tavern), and with Marshall's driving drumming style and screaming lead vocals, Bez's psychedelic crunching guitar leads, McKinney's ranting rhythm guitar, Walt's power driving bass, not to mention some stage slamming tight percussion, the Nonesuch became known for great live performances.
A mid-west sixties wave from the grave, king of fuzz, psychedelic rave-up band with go go dancers, oil light shows, rave-ups with slamming guitars and flying sticks and drums, tambourines exploding into pieces on to the dance floor with girls scrambling for parts, and beer raining from the ceiling after the final rave-up at the end of a show from patrons throwing pitchers of beer up in the air to cool off. This became a regular site for the fans of the Nonesuch. Unheard of or even seen anywhere else in the area at the time.
The Nonesuch played many clubs and venues in and around the area extensively, and a regular every Thursday night gig at the Regency Showcase (86-87). The band having articles written in underground 60's mags from coast to coast and overseas (early write-ups in New York's "99th Floor" and the French magazine "Fuzbeat"), all raving about the band's music, fashion, and high energy performances. The Royal Nonesuch developed the reputation of one of the best garage bands of the mid-west.<br>
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<center><font color="red" face="Comic Sans MS">Bez, John, Mad Jon, and Walt, photo 1984</font></center>
Playing gigs with bands such as The Edge (now Kings X), Uncle Tupelo (Wilco), Matt Guitar Murphy (Blues Brothers), Steve Pryor & the Kingsnakes (Tulsa OK.), The Belairs (Columbia MO.), Elvis Brothers (KC. MO.), Steve Bob & Rich (KC MO., now the Rainmakers), The Mistakes (Spfd, MO.) with Bill Brown (guitarist for Ozark Mt. Daredevils), and touring at times with the local band Fool's Face (Spfd, MO.).
Also performing with other 60's cover bands, and at a time when most people were following new wave music, making these gigs most appreciated, Tell Tale Hearts (San Diego, CA), Chesterfield Kings (Rochester, NY), & The Cynics (Pittsburg, PA.).
The show in Springfield with the Tell Tale Hearts, an event that was special with the opening of The Primitive A Go Go, a swinging London 60's retro club that Jon McKinney opened and operated for a short time in early 1985. The Hearts were guests for about a week that January, driving through near blizzard conditions to get in to town, and seeing fans drive through the same conditions from as for away as Tulsa, excited to be a part of the opening event. John Marshall moved into the apartment above the club and most of the Nonesuch worked on or at the club. A review of the <a href="http://cheunderground.com/blog/?tag=jon-mckinney">Primitive A Go Go</a> was written by Ray Brandes of the Hearts which appears in the liner notes of the Hearts' release "Live Volume II; Later That Night In Springfield" (Corduroy Records, Australia, 1997) and the song <a href=" http://cheunderground.com/blog/wp-conten t/uploads/2008/09/01-smokes-live.mp3">"Smokes"</a>, recorded at the club opening, is featured in an online article recently posted.
The Nonesuch toured regularly and played Fayetteville AR., Tulsa OK, Joplin MO., KC MO., Columbia MO., St Louis MO., and Chicago ILL. many times. Several tours to the east coast including Detroit MI., Minneapolis MN., Pittsburg PA., NYC., & Boston. The band touring in a variety of vehicles ranging from a 1956 school bus converted to a camper (painted green), to a Country Squire station wagon, a stretched old Checker cab with four doors on each side (painted black), and a Volkswagon bus too.<br>
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<center><font face="Comic Sans MS" color="red">Jeff (getting ready for a gig for the Nonesuch with tambourine and maracas in backpack) on campus at Missouri State University, art and theatre department painted his face for a gig on Halloween at Lucy's Discotheque in 1985, photo taken by graduate art student, John Hall.</font></center>
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<center>List of Vinyl and Cassette Releases</center>
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"Something Strange" demo tape (before 45 release), gaining college radio station support across the U.S. and France as well as air play from two Springfield area radio stations, recorded August 1985 at Ralph Plank's Studio in Springfield, third out of four versions recorded.<br>
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"Something Strange/You Need Love", Unlimited Records, UP-45-2, 1987 ("You Need Love" recorded at Max Evan's Rainbow Studio in K.C. MO. September 2, 1986)<br>
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"Why Should I Care/2 Can Play That Game", Get Hip Recordings, GH-121, 1990
"Maximum EP", 2003 Tracklist: I Wish You Would/Action Woman/Youre Gonna Miss Me/Wont you Listen<br>
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<center>Compilations</center>
<br>"You Need Love/You Lied To Me Before", tracks on 'Raw Cuts Volume Six American Psych Wars' -LP, Satellite, RAW 6, 1987<br>
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"Talkin' 'Bout Love", track on What Wave magazine issue No. 12, 'Wave From The Grave 2' -cassette, ww-02, 1987<br>
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<br>"She's So Satisfyin'", track on What Wave magazine issue No. 14, 'Garunge' -cassette, ww-04, 1987<br><center><img src="http://c3.ac-images.myspacecdn.com/images02/86/m_a6ff65a2c1f24825b403209faa38b7ee.png"></center><br>
"She's So Satisfyin', track on 'Godsmell' compilation -eMpTy Records, cassette MT-029 (Germany) released on June 15th, 1988<br>
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"You Need Love", track on 'Dimensions Of Sound' -LP, Mystery Scene Records, MS 1001, 1988 (this German release featured Jon McKinney on the cover)<br>
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"Garage Bands Revisited No. 5" magazine issue promo CD compilation release, France 2004<br>
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"Shes So Satisfyin/Talkin Bout Love", tracks on 'Thee Cave Comes Alive!' -LP, Action Records, AR406, 2004 (from Dimos at Action Records in Athens Greece, this Thee Cave fanzine limited edition LP release of the lost 'What Wave' tapes, featured the Nonesuch on the cover)<br>
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<center>Bootlegs</center>
"Talkin' 'Bout Love/She's So Satisfyin', tracks on 'Stick It In' -Flush Productions, (Richmond, CA.) FPC 005, a bootleg compilation cassette.<br>
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The Nonesuch also produced a music video (a cover of the song She's So Satisfy'n by the Apparitions) that was aired regularly on Canada's music television station Much Music, and at one time airing up to 16 times per day. The music video was filmed, directed, and edited by Jim Holopter, a former Nonesuch member, who is now playing guitar in the Rumblejetts from Kansas City. It was filmed on the haunted third floor balcony at the Landers Theater in downtown Springfield. Marshall is playing on Jeff's Rogers Holiday kit, Jeff assisting Jim filming with operating background lighting effects, and Ann (now living in San Francisco California), a regular Nonesuch go go dancer helping out too, both in front and behind the camera.
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<center><font face="Comic Sans MS" color="red">Nonesuch, with Joey sitting in for McKinney, at Springfield second annual John Lennon Tribute, Springfield hosted the first John Lennon tribute in the nation, Ron Butler organizer, with funds raised matched by Yoko Ono</font></center>
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<center><font face="Comic Sans MS" color="red">Springfield News Leader article featuring The Nonesuch and their upcoming show with The Chesterfield Kings at the Baker's Union Hall on Commercial St. The Nonesuch had a rehearsal studio in the Baker's Hall, friends maintained music, art, and silk screening studios there too. Several Nonesuch fliers were produced there including the poster for the Kings' show by artist Logansky I, (Greg Logan). The show with the Kings lived up to Springfield garage band history, Springfield Police showed up to issue a noise complaint next to a train yard, waiting to discuss the ticket in between trains passing by.</font></center>
Others sitting in later as percussionists have included Mr. Strange (roommate from the band house in Tulsa) or now known as <span class="bandMember"><a class="bandMemberLink" href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=11750789">Dr. Kurtis</a></span> and <span class="bandMember"><a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=22246653">Mr. Howlin Alan</a></span>, of the local gift emporium "Kaleidoscope" (a record shop in the 70's and 80's), who also sat in as a vocalist for the recording of a demo.<br>
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<center><font face="Comic Sans MS" color="red">Howlin' Alan - Detroit, 1988</font></center>
During local live shows Richard Bruton (local jazz artist) would jump up on stage a sit in on sax for a set of songs, others that would fill in for a few numbers at times include singer Jim Wonderlie (from the Dog People, Marshall was a member of this band while also playing with the Limit). Guitarist and vocalist Joey Skidmore has filled in a time or two over the years, with a show in Detriot MI. and producing a recording in 2003 in K.C., (Walt and Jeff were former members of Van Gogh's Ear and <a href="http://www.myspace.com/joeyskidmoreband">The Joey Skidmore Band</a> with Joey, John Marshall played on many early Joey recordings).<br>
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<center><font face="Comic Sans MS" color="red">Bez, Jim Sohns from The Shadows of Knight, Jon, Walt, and Joey Skidmore in Chicago 1988</font></center>
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<center><font face="Comic Sans MS" color="red">Nonesuch characters by Chris Cooper</font></center>
A cartoon magazine was published and distributed in the late 80's, featuring Nonesuch characters, by artist Chris Cooper. Cooper traveled with the band regularly in the late 80's. Cooper's art has become popular around the U.S. with tattoo artists, his drawings are being used from coast to coast in body art.<br>
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<center><font face="Comic Sans MS" color="red">Playing the outdoor Spring Peace Festival on campus at SMSU (now MSU) in Springfield, mid 80's</font></center>
Then in 1989 (shortly after a New Years Eve show in Tulsa), for various reasons, the band stopped performing live for a period of time but maintained trips to the studio to record (including <a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=50895157">The Studio</a> in downtown Springfield during the summer of 1999 with owner Lou Whitney engineering). A demo was also recorded in the basement of Walt's house, and another trip to a studio in K.C. MO., this session in 2003 was produced by Joey Skidmore, with Lloyd Hicks on drums.<br>
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<center><font face="Comic Sans MS" color="red">Mad Jon McKinney<br>at Tramps in New York City, 1988</font></center>
In 1989, Jon McKinney moved to L.A. CA., and joined the Tell Tale Hearts and operates a small studio on the property (a small orchard) he lives at in Yucaipa, CA., and later John Marshall moved to St.L. MO. to join the Lettaceheads, living with some of the members of that band in the "Rug Barn". A cool old building in central St. Louis, where the band practiced and recorded, the walls and ceilings were completely covered with old school shag carpeting. John, no longer at the barn, is now playing with Swingset, a swing jazz band that plays regularly around the city and at times still playing shows with the Lettuceheads. Dr. Kurtis moved to San Diego CA., is into film production now.<br>
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<center><font face="Comic Sans MS" color="red">Drummer John Marshall, photo 1988</font></center>
For five years in the early 90's, the line up of guitars changed, (guitarists rotating from <span class="bandMember">Kyle Donaldson</span>, <span class="bandMember">Larry Cataldo</span>, & <span class="bandMember">Chris Fiedler</span>), with <span class="bandMember">Eric Williams</span> as vocalist, Walt on bass, Bez on lead guitar, and Jeff on drums, this incarnation played under the name The Electric Corpse Grinders and only performed on Halloween. Large crowds would attend these party events during the early 90's, most hosted by Rick Moore (former member of the band the Balls with Mike Rayhill). Rick was in the band Red West with Jeff, a band that played many shows at the Commercial St. Club (one of the <a href="http://ozarkpunkrock.blogspot.com/2008/11/forgotten-punk-clubs-of-springfield.html">forgotten punk clubs</a> of Springfield, 88'-92') and Murphy's during some of this time in the early 90's.
In 1995, on St. Pat's Day, Jeff opened the Magic Bean Coffeehouse (a retro venue), located across the street from the M.S.U. campus, Chris Fielder helping with construction and coffee cook management in the beginning, the Bean has been the host to 1000's of bands, poetry slams, and movie presentations. Kyle Donaldson performed for opening night, Swingset with Marshall played a show to a full house, and Walt (a Springfield chess champion) hosted chess tournaments in the early days of <a href="http://www.myspace.com/magicbeansforeveryone">The Bean</a>. King Clarentz has played many shows throughout the years as well. When Marshall was in town one of the last times, there was an all night jam session with Vic Davis and Jeff in the coffeehouse, playing until sunrise. December 2008, John came to town and tagged up with Jeff at the coffeehouse and traded drum licks, watched old school videos (that included Devo and Fool's Face), and discussed plans about getting together and jamming with Vic again.<br>
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<center><font face="comic sans MS" color="red">Victor Davis</font></center>
<span class="bandMember">Walt</span>, <span class="bandMember">Bez</span>, <span class="bandMember">Vic</span>, & <span class="bandMember">Eric</span> tagged up in 1996 with the Gin Blossom's ex-drummer, & performed as Rabbi Sputnik (not a pure 60's material band) for a few years. This band playing around Springfield, regularly at the Outland, gaining recognition and receiving a few newspaper mentions and articles.<br>
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<center><font face="Comic Sans MS" color="red">Walt, photo taken in October 2008</font></center>
Royal Nonesuch gigs still happen from time to time with different drummers, mainly John Marshall or Lloyd Hicks, guitars include Victor Davis and Bez, Walt on Bass, Eric Williams as vocalist. Most recently the Royal Nonesuch, back from the grave, put on a few gigs in Springfield at the Outland (the February 2002 show, with Springfield News-Leader article by entertainment writer Michael Brothers promoting the gig, King Clarentz putting on the light show, John on drums, Jeff doing percussion, the dance floor was full and the bar overflowing the front door on this first show back) and after a couple of shows at the Outland, the Nonesuch played a gig with John on drums at the Blue Note in Columbia MO. (this show with excellent reviews), and later a short "Fuzzfest 2003" show at the El Torreon Ballroom, November 22, 2003 in KC MO. with Lloyd Hicks on drums. An article by Rascal Jones in the Springfield Community Free Press, December 10th 2003, with the description of a different show than the Blue Note, less than stellar, but "interesting". Walt now commanding the band manager spot.<br>
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<center><font face="Comic Sans MS" color="red">Royal Nonesuch photo in Community Free Press, December 10, 2003</font></center>
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<center><font face="Comic Sans MS" color="red">The Wayback Machine (from November 1995 through August 2006) community radio 88.1 FM KDHX in St. Louis with broadcast on Monday nights with the Nonesuch making their play-list</font></center>
The Royal Nonesuch is still receiving radio airplay and podcast support. Making the March 2009 play-list of <a href="http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendId=17729431&blogId=476749125">"Radio What Wave"</a> airing Thursdays 7-8:30 on radio 94.9 FM CHRW London, Radio Western-sponsored by Speed City Records (London ON. N6J1G4, Canada), and in Toulouse, France on Canal Sud 92.2 FM's "Dig It Radio Show" (Thursdays 9:30PM-11:00PM). Also making the play-list of "Wayback Machine" in St. Louis, airing for 11 years on community radio, as well as KDUS 90.3 FM (University of California radio station), on "Live In The Warzone", with the track "Two Can Play That Game", show hosted by Heather Klinger (Davis CA.). The Nonesuch is also on the play-list with 'She's So Satisfyin'' on "Real Cool Time Radio", airing 6:00PM 89.5 FM CUIT, the University of Toronto Community Radio Station (hosted by Rocky and Deena), as recent as 2008. Pod-casts are available for most shows.<br><br><center>Band Members</center><br><font face="Comic Sans MS" size=4 color="black">
Varies from gig to gig,
<span class="bandMember2">John Marshall</span> on drums & vocals,
<span class="bandMember2">Jabez Petefish</span> on guitar & vocals,
<span class="bandMember2">Victor Davis</span> on guitar, electric 12 string, & electric sitar,
<span class="bandMember2">Walter Paisley</span> on electric bass guitar,
<span class="bandMember2">Eric Williams</span> the lead vocals,
also including from time to time, <span class="bandMember2">Cory R.</span> on Harp, <span class="bandMember2">Lloyd Hicks</span> on drums,
with <span class="bandMember2">King Clarentz's Country Christian Light Show</span>, featuring projectors with films and colored oils (wet show), and strobe lights. King Clarentz, a delta blues artist, now signed to Super Sweet Records.</font><br></font>
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<center><font face="Comic Sans MS" color="red">Bez On Guitar</font></center><br><center><img src="http://myspace-270.vo.llnwd.net/00643/07/25/643535270_m.jpg"></center>
<font face="Comic Sans MS" size=4 color="black">The Nonesuch play on vintage equipment,
Vox (Super Beatle), Ampeg and Fender ampifiers,
Rickenbacker, Hagstrom, Gretch, Dan Electro, Vox, and Fender guitars & basses, (including electric sitar & 12 string guitars).
Ludwig, Premier, Rogers, Gretch, Ziljian, Paste, Remo drum gear.
Farfisa organs, Hohner harmonicas, vintage wooden tambourines & mexican maracas,
vintage gear and fashions.<br>
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<center><font face="Comic Sans MS" color="red">Royal Nonesuch, with Marshall on drums, at The Blue Note in Colombia, MO. 2003</font></center>
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<center><font face="Comic Sans MS" color="red">Jon McKinney in Springfield, 2008</font></center>
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The Royal Nonesuch has put out a couple of 45's and an EP, along with having songs on compilation albums in Greece, France, and Germany with other 60's revival bands. There were several compilation cassette tape releases too. The Royal Nonesuch's early releases have become collector's items here in the United States and overseas. Some recently selling for fairly hefty prices.<br>
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A copy of <span class="albumTitle">"Something Strange"</span> with insert (listed in mint condition) is available at <a href="http://homepage.swissonline.ch/featheredapple/modern45nz.html">Feathered Apple Records</a>. A rare 116 page 10th anniversary issue of the U.K. fanzine <span class="albumTitle">"Next Big Things"</span> (No. 23, 1987), as well as <span class="albumTitle">"What Wave, no. 13"</span> (with Nonesuch articles) can be found at Feathered Apple Records <a href="http://homepage.swissonline.ch/featheredapple/magazines2.html">here</a>. Another copy of <span class="albumTitle">"What Wave 13"</span> (with Nonesuch interview by Adele Wright) can be found at <a href="http://www.groovytunesday.com/fanzines.html">Bongos</a>.
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Compilations still available include What Wave Magazines' issue of <span class="albumTitle">"Wave From The Grave Vol. 2"</span> & <span class="albumTitle">"Garunge"</span>, What Wave Records, (Radio What Wave airing Thursdays 7-8:30 on radio 94.9 CHRW London, Radio Western-sponsored by Speed City Records) for download of copies
<a href="http://www.msplinks.com/MDFodHRwOi8vY2hyd3JhZGlvLmNvbS9tcDMvMTk4Ny9XaGF0JTIwV2F2ZSUyMC0lMjBXYXZlJTIwRnJvbSUyMFRoZSUyMEdyYXZlJTIwMi93dzQuaHRt">Wave f/t Grave Vol 2</a>, or <a href="http://www.msplinks.com/MDFodHRwOi8vY2hyd3JhZGlvLmNvbS9tcDMvMTk4Ny9XaGF0JTIwV2F2ZSUyMC0lMjBHYXJ1bmdlL3d3MS5odG0=">Garunge</a>. What Wave No. 12, (Canada), published by Dave & Rena O'Halloran, with the cover art done by Kit Carson, was issued in March 1987, the issue with bonus tape (a compilation including Royal Nonesuch tracks), sold out very quickly.<br>
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<span class="albumTitle">"Godsmell"</span>, two-cassette compilation released on Empty Records in Germany with 87 bands, packaged in a video-cassette case with insert and band contact addresses, with Nonesuch track, She's So Satisfyin', advertising as an all U.S.A. band compilation is available at postal address; MT Undertainment, Joseph Raimond, Spitzwiesentr. 50, 90765 Furth, Germany or e-mail at empty@empty.de. or here at <a href="http://www.empty.de/EarlyCassettes.htm">Empty Records.</a><br>
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The rare Canadian fanzine <span class="albumTitle">"Lost Mynds", No. 3</span> included an article about The Royal Nonesuch and is listed at Detour Records <a href="http://www.detour-records.co.uk/zines.htm">here</a>.<br>
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<span class="albumTitle">"Maximum EP"</span>, 4 songs (France) which can be ordered from 442eme Rue, 64 Bd Georges Clemenceau, 89100 SENS - FRANCE or <a href="http://digitfanzine.chez.com/digitoldnews.html">this</a> website or email to <a href="mailto:Leo442rue@wanadoo.fr">Leo442rue@wanadoo.fr</a>. Bootleg Booze Records also has copies available <a href="https://www.bootlegbooze.com/shop/product_info.php?cPath=22_34_54&products_id=1740">here</a>.<br>
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On <span class="albumTitle">"Thee Cave Comes Alive"</span>, Action Records (Greece), limited edition of 1000 issued, the Nonesuch are featured on the cover, copies still floating around. Available through <a href="http://www.bompstore.com/servlet/Detail?no=4525">Bomp Records</a> or in the UK through <a href="http://detour-records.co.uk/albums.htm">Detour Records</a>, and in the US at the <a href="http://www.freakemporium.com/archive/artist/Thee%2520Cave%2520Comes%2520Alive/artistpage.html">Freak Emporium</a> or <a href="http://www.nofunrecords.com/index.php?page=shop.product_details">No Fun Records</a>. Another copy is available at <a href="http://www.incognitorecords.de/shop/?show=comps">Incognito Records</a> in Germany. The <a href="http://www.demderby.com/search.php?row=18">Demolition Derby Record Store</a> in Mechelen, Belgium has a copy for sale on their website. A copy is currently available at <a href="http://cgi.ebay.com/CAVE-COMES-ALIVE-LP-garage-what-wave-zine-greek-psych_W0QQitemZ120397178007QQihZ002QQcategoryZ306QQcmdZViewItem">Casmir Records E-bay Store</a> with a Chicago location and another copy at <a href="http://cgi.ebay.com/VA-Thee-Cave-Comes-Alive-LP-What-Wave-Fanzine-2004_W0QQitemZ220302138820QQcmdZViewItemQQptZMusic_on_Vinyl?hash=item220302138820&_trksid=p3286.m20.l1116">Sonic Boom Used Records</a> (mint condition) with an Athens, Greece location on E-bay <a href="http://shop.ebay.com/items/__cave-comes-alive_W0QQ_kwZcaveQQ_kwZcomesQQ_kwZaliveQQ_ckwZthee?_trksid=p3286.m104.l1198">(both with a buy it now price)</a>. A review of this LP is available in <a href="http://www.shindig-magazine.com/reviews-apr2004-1.html">Shindig Magazine April 2004</a>.<br>
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<span class="albumTitle">"Garage Bands Revisited"</span> (15 band compilation CD w/Nonesuch) with a 100 page magazine (100 copies), may be available in France at <a href="http://digitfanzine.chez.com/digitoldnews.html">Digitfanzine</a>, with an address listed, P. Soubielle, 59 Rue Ed Meyer, 76620 Le Haure.<br>
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Copies of the 45 <span class="albumTitle">"Why Should I Care / Two Can Play That Game"</span> w/picture sleeve on Get Hip Records, Cannonsburg PA. are available in Numberg Germany, at
<a href="http://www.greatesthitsmailorder.com/">Greatest Hits Mail Order</a> or <a href="http://www.greatesthitsmailorder.com/greatesthits_singles.html">here</a>, or by sending an email to <a href="mailto:greatesthits@t-online.dr">greatesthits@t-online.dr</a>. May be back ordered at Get Hip Records <a href="http://www.gethip.com/cgi-bin/ghRedirect.cgi?id=9|1|0|0|Royal%20Nonesuch">here</a>.<br>
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2009-03-09 03:53:17